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Framing Your Collector Canvas

Framing Guide

From the tube to your wall.

Your collector canvas arrives rolled in a tube, the same way museums and galleries ship large paintings all over the world. Here is exactly what happens next, what your framer will offer you, and the one rule that protects your canvas for generations.

Why it arrives rolled

A stretched five foot canvas is fragile in transit. A rolled one is nearly indestructible. Rolling your canvas face out in a rigid tube is the safest way it can travel, and it is how serious canvases have shipped for a century.

When it arrives, take the tube to a local framer. Stretching is everyday work for them, and most will have your canvas wall-ready in about a week. Every collector canvas leaves my studio with a few extra inches of white border on every side, so your framer has plenty to grip. The painting itself is never folded, wrapped, or trimmed.

Mark Lawrence applying clear impasto to a canvas in his studio
Finished in my studio · rolled with care · sent to you
In Perfect Peace, Isaiah 26:3, by Mark Lawrence shown gallery wrapped

Gallery Wrap

Clean and modern

The canvas is stretched over deep bars and the white border wraps the sides, so the painting hangs frameless, like it does in my studio. Simplest, most affordable, and the art still shows edge to edge.

Mark's recommendation
In Perfect Peace, Isaiah 26:3, by Mark Lawrence shown in a floater frame

Floater Frame

The house choice for clear impasto

The stretched canvas sits inside a slim wood frame with a small shadow gap, so it appears to float. Nothing touches the painted surface, the texture stays open to the light, and the frame gives it presence on the wall.

In Perfect Peace, Isaiah 26:3, by Mark Lawrence shown in a traditional frame

Traditional Frame

Classic and formal

A wider moulding in wood or gold sits over the canvas edge. Beautiful in traditional rooms and alongside existing framed pieces. Ask your framer to keep the moulding off the textured surface itself.

One rule above all: never glass, never a mat.

The raised clear impasto texture is the living surface of your canvas. It is meant to catch the light and be seen, the way it left my brush. Glass would press against it and trap moisture. A mat would bury it. Any good framer will know this, but say it anyway: the surface stays open.

Show your framer this

Everything they need to know, in their language.

  • Stretch on standard stretcher bars. Choose gallery depth bars if you are gallery wrapping.
  • Use the white border for stretching. The canvas includes extra border on every side. The painted image is never folded around the bars or trimmed.
  • No glass, no acrylic, no mat. The textured surface stays open.
  • Do not varnish or coat the surface. The clear impasto finish is complete as it arrives.
  • Handle face up and roll out flat. Let the canvas relax flat before stretching.
  • Finish with hanging wire and bumpers. Large canvases hang best from two points.

Choosing a framer

  • Choose a shop that stretches canvas in house, not one that sends it away.
  • Ask if they regularly handle oversized canvases. Your work may be four or five feet on a side.
  • A good framer will want to see the canvas before quoting. That is a mark of care, not an upsell.
We ship straight to your framer

Want to skip a step? Enter your framer's address at checkout and your canvas goes directly to their bench. Your certificate and the note from me still come to you at home.

Ask me anything before you order

Questions people ask

How much does framing cost?
Your framer will quote by size and moulding. Stretching alone is the budget path, a floater frame sits in the middle, and a wide traditional moulding is the premium. Bring the size of your canvas from its page and most shops will quote you over the phone.
How long does it take?
Most framers will have a rolled canvas stretched and wall-ready in about a week. Oversized pieces or custom moulding can take two.
Can I stretch it myself?
If you have stretched canvas before, yes, the white border gives you everything you need. If you have not, this is not the canvas to learn on. A framer's bench and press exist for exactly this job.
Why not ship it already stretched?
Below about three feet it can be done safely, and my open edition prints arrive ready to hang. But a stretched collector canvas at four or five feet rides through freight like a sail in a wooden box. Rolled in a tube, it arrives perfect. This is how museums and galleries move large paintings between continents.
Does framing affect the certificate or the registry?
Not at all. Your certificate matches the canvas itself, and its number in the Body of Work is permanent, whatever frame it wears.
What about humid rooms, sunrooms, or bathrooms?
Hang your canvas in normal living spaces, away from direct steam and long hours of harsh direct sun. The archival canvas and inks are made to last generations in the rooms where people actually live.
A week at the framer. A lifetime on your wall.